In Anish Kapoor’s 3,100 sq metre studio complex in south London, photographers, assistants and gallery representatives gather in an upstairs meeting room. The artist has a staff of 23 in London – 11 studio assistants, nine people in the offices, three stone masons at a yard in Battersea – and some have been with him for decades. When he’s in town, everyone wants a piece (“It’s like The West Wing,” says one gallery rep).
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Anish Kapoor and his hazmat-suited assistant with some of the 31 parts of Ha Makom