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The Guardian - UK
The Guardian - UK
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Mollie Goodfellow

I found comfort in grisly true crime stories. Giving them up brought me peace

Screengrab from HBO trailer of documentary The Case Against Adnan Syed. The murder of Hae Min Lee was a case brought to global attention by the Serial podcast.
Screengrab from HBO trailer of documentary The Case Against Adnan Syed. The murder of Hae Min Lee was a case brought to global attention by the Serial podcast. Photograph: HBO, The Case Against Adnan Syed (2019) Official Trailer

I vividly remember being a child, sitting on the edge of my parents’ bed late in the evening, and watching Crimewatch. Reconstructions of violent crimes I didn’t understand, usually against women, played out on screen. I remember sombre presenters such as Nick Ross and Kirsty Young pleading for information as grainy CCTV footage showed victims being followed through the streets at night, and dour police detectives talking through timelines of the hours before someone was killed.

This fascination with the morbid flowed easily into horror movies. After finishing school, I had my first major depressive episode, involving a hospital stay. It took a while for me to get back to myself; I didn’t really leave the house apart from to go to therapy, and I soon became a strange nocturnal hermit. During the day I would sleep, and at night I would lie in bed and watch scary movies where horrible things happened to female actors, fake-slaughtered in buckets of corn syrup.

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