A play is a living thing. Not just because it is performed each night by a cast to a different audience and their shifting energy. The process of tweaking the script doesn’t stop once the curtain comes down on the first run.
“It's extraordinary if I think about where it began six years ago, I think Iman is on draft 29,” says director Hannah Hauer-King. “We’ve reached 30, Hannah,” playwright Iman Qureshi cheerfully updates her collaborator.
