Although it remains a modern masterpiece in terms of intention, execution and impact, Adolescence has been ruinous for those of us who have to write about awards show surprises. Because, ever since it first hit screens, it has won everything in sight. And because Adolescence is very good, that isn’t a surprise, and where’s the fun in that?
However, at last night’s television Baftas, the impossible happened: Adolescence actually managed to surprise me. Not purely because it keeps winning things a full 14 months after it debuted, but because of who won what.
