
The first time Dave Jerden heard Alice In Chains, he thought they were a mess. It was 1988, and Dave, who had just produced Jane’s Addiction’s groundbreaking Nothing’s Shocking album had been given the band’s demo tape by an A&R friend at Sony.
Despite the growing buzz surrounding their hometown of Seattle, the band’s music was all over the place, and no producer wanted to touch them. But there was one song in which he heard the sound of the future.