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The Guardian - US
The Guardian - US
World
Hala Alyan

‘I am not there and I am not here’: a Palestinian American poet on bearing witness to atrocity

checkered image of woman's face with sepia images of children and a man overlaid
‘The thing about diaspora is that the option of looking away is a trick mirror – doing it is never a relief.’ Illustration: Samin Ahmadzadeh/Elena Mudd/The Guardian/Hala Alyan/Getty Images

A few weeks ago, I got an upper molar filling at one of those hip dental practices targeted towards millennials, all green tiles and personalized screens. In the dental chair, I watched an Anthony Bourdain episode on Beirut, then lunged for my phone as soon as I was alone.

For months, I’ve watched hundreds of clips of dead children. Men with their limbs blown off. Babies whose faces are covered in burns. Mothers cradling white-shrouded children. These children, these babies and men, are somewhere I’ve never been, somewhere my father was born, somewhere my grandparents, my uncles, my great-grandparents, lived for years. For months, I’ve watched American officials scrunch their foreheads in consternation at press conferences. My dissociation has become more norm than exception: I walk down Metropolitan Avenue in Brooklyn as though I’m gliding, as though someone is transporting my body through sheer will. I enter rooms and freeze, stop speaking mid-sentence, forgetting where I’d begun. My grief is dormant during the day, masked by alternating helplessness and frenetic bursts of energy.

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