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The Guardian - US
The Guardian - US
Entertainment
Tarisai Ngangura

How Toni Morrison’s characters modeled womanhood and confinement in their dress

a women looking at the camera
Toni Morrison at the Grande Hotel in Milan, Italy, on 23 November 1994. Photograph: Leonardo Cendamo/Getty Images

“The beginning begins with the shoes. When a child I am never able to abide being barefoot and always beg for shoes, anybody’s shoes, even on the hottest days. My mother, a minha mãe, is angry at what she says are my prettify ways.”

This is how readers are introduced to Florens, an enslaved girl with tender feet in A Mercy, Toni Morrison’s ninth novel. How people dress – their bodies, their communities, their houses – mattered a great deal to Morrison, which is evident in the way she focused on how her characters presented themselves to others.

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