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WEKU
WEKU
Jewly Hight

How to fit a top-tier HBCU marching band and the gospel tradition onto one album

Two members of Tennessee State University's Aristocrat of Bands — Marro Briggs, left, and Curtis Olawumi. (Sir The Baptist)

At the 2018 edition of Coachella, Beyoncé showed us how a global pop star celebrates the marching bands of historically Black colleges and universities in a spectacular festival performance, then translates that into a downright marvel of a concert documentary and live album.

Live performance is also the realm that the Aristocrat of Bands — pride of Nashville-based HBCU Tennessee State University — has excelled in for 76 years. The AOB's reputation for precision and high-stepping showmanship on the field landed it on national television during a 1955 NFL game and brought an invitation to President Kennedy's 1961 inauguration, both firsts for an HBCU band. In the last year, the AOB secured a coveted slot in the Rose Parade and an early July booking at Essence Fest alongside a couple of big gospel names, Jekalyn Carr and Sir The Baptist. That latter appearance served as a preview of a one-of-a-kind project, The Urban Hymnal, a studio album featuring the AOB as primary artist, fully in gospel mode for the first time, with an array of contemporary gospel stars in supporting roles.

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