There were many stressful things about making “The Flash” and getting it to theaters. It was shot in the middle of a pandemic. There was isolation from friends and family for the 138-day shoot. There were A-list schedules to coordinate for cameos. There was a star in Ezra Miller who, after it wrapped, made headlines for legal run-ins amid a mental health crisis. And behind it all, a studio undergoing leadership changes and rethinking the whole DC Comics strategy.
But first, they had to figure out how to transport a two-ton Batmobile from Los Angeles to the U.K. amid a worldwide shortage of shipping containers in 2021.
