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The Guardian - US
The Guardian - US
Entertainment
Oliver Milman

Is the climate crisis too grim to work on the stage? Sparkling wine and villains might help

Julia McDermott in Weather Girl.
Julia McDermott in Weather Girl. Photograph: Pamela Raith

Despite (or perhaps because of) its overwhelming awfulness, the climate crisis has been oddly underrepresented on stage and screen. Humanity’s greatest challenge has often been deemed too much of a downer, too complex or too dull a topic to spawn shows and movies.

A burst of recent climate-themed cultural output, however, suggests this may be changing. Weather Girl, a one-woman play about the unraveling of a TV meteorologist who can no longer bear to gloss over climate breakdown in California, has just closed in New York City to upbeat reviews.

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