Experimental is a word that’s thrown around a lot these days. It’s fair to say that over time, its omnipresence in creative discourse has gradually diluted its meaning, the adjective effectively reduced to denoting anything that, however timidly, colours even a shade outside of the well-defined lines that popular music has drawn.
There are few artists, though, that approach their work in a way that’s truly, quite literally, experimental: testing new techniques and investigating new ideas, they challenge established musical paradigms, making discoveries that, at their best, advance our collective understanding.
