The Holocaust is fast receding from living memory. Some 300 Auschwitz survivors were present at the 70th anniversary commemorations of the camp’s liberation in 2015. This year, just 50 attended, all of whom were children in 1945.
Even before this generation began to pass on, researchers of the Holocaust had begun to study the ways that memory of these events have been shaped, manipulated, or indeed fabricated. Film scholar Alison Landsberg’s influential concept of “prosthetic memory” focused attention on the ways in which film, literature and other art forms can supplement or even substitute for the experiences of those who lived through historical events.
Approaching the moment when such supplements must become the sole means for future generations to understand the Holocaust, it seems no accident that half a dozen films released in 2023 and 2024 made Holocaust memory – and its complexities – an explicit element of their narratives.
