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Martin Kemp, Emeritus Professor of the History of Art, University of Oxford

How Hockney's iPad paintings illuminate his enriching way of seeing the everyday

My Window describes flowers and the sunrise in Bridlington, East Yorkshire. I started on the iPhone in 2009 … it was backlit and I could draw in the dark. I didn’t ever have to get out of bed. Everything I needed was on the iPhone.

David Hockney is the great modern mark-maker. By mark I mean the merest stroke left by a brush or drawing instrument which, by itself, has little descriptive power. But skilfully placed alongside other rudimentary marks, they have the ability – in the hands of a real artist – to operate coherently, inducing the viewer to transform the ensemble of brushstrokes into a vibrant image.

A curved green smear on its own seems to describe very little, but in the context of other deft marks, it assumes the semblance of a vase or of leaves and stems of various kinds. Modern neuroscience favours context, expectation, probability and prediction for the human brain to assemble incredibly rapid perceptual shots into a “view” – rather than expecting our visual apparatus to take the equivalent of a detailed photograph.

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