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The Guardian - UK
The Guardian - UK
Entertainment
Rory Carroll

How did Eurovision go from sequins and flares to geopolitical slugfest?

A man waves a Palestinian flag and stands beside a sign that reads: BOYCOTT EUROVISION, ARTWASHING ISRAEL'S GENOCIDE
Demonstrators outside RTÉ, the Irish public service broadcaster, to call for an Irish boycott of the 2026 Eurovision Song Contest in the event of Israeli participation, 1 November 2025. Photograph: Clodagh Kilcoyne/Reuters

A song contest intended to promote European harmony and cultural exchange morphs into a battle over human rights. A boycott dominates headlines and polarises opinion. Performers with big hair proclaim art over politics.

It could only be Eurovision. But the year was 1969, and the dispute centred on Austria’s decision to shun the host, Spain, because it was a dictatorship – a boycott echoed half a century later by five countries who are shunning this week’s contest in Vienna because of Israel’s participation.

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