Grassroots venues are the foundation upon which the mighty British music industry has been built, fuelling the phenomenal level of talent this small island has produced. Yet while successive governments have shouted about how they are a shining demonstration of the country’s creativity, the very same people have cut funding and opened the cultural sector to the most brutal market logic. Alongside government neglect, small venues across the country also face rising trade costs, pressure on disposable incomes, greedy property developers, post-pandemic changes in attitudes to communal experiences and the continuing shift towards an increasingly screen-based lifestyle.
I cut my teeth DJing and dancing in small venues up and down the country, from my earliest experiences at Christie’s, in Sutton – when I’d head home after Carl Cox finished up as I had to be at school the next day – to a 10-year weekly Monday residency at Bar Rumba in Soho and many formative nights at the Hare & Hounds in Birmingham. There are countless more – far too many to list them all. If it weren’t for these backrooms, I would not be where I am today as a DJ. Nor would I have encountered (and still do!) those voices that push the culture forward and bring energy and positive momentum to our world.
