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The Independent UK
The Independent UK
Lifestyle
Patrick Smith

How Amadeus turns a wild rumour about Mozart and Salieri into unmissable Christmas TV

No music biopic comes close to Miloš Forman’s 1984 masterpiece, Amadeus. Adapted by Peter Shaffer from his own 1979 stage play – itself inspired by Alexander Pushkin’s poetic 1830 drama, Mozart and Salieri – the film is gaudy and provocative, a glittering two fingers up to historical accuracy. It’s based on a wild rumour: that Wolfgang Amadeus Mozart was driven to an early grave, aged 35, by the obsessively jealous court composer Antonio Salieri. But it’s also concerned with a deeper metaphysical question: why would a just God bestow genius on a giggling, foul-mouthed vulgarian like Mozart while condemning the devout Salieri to recognise his own mediocrity? Not for nothing did the film sweep the Oscars with eight wins, including Best Picture and Best Director.

Now from Sky comes a new five-part adaptation of Shaffer’s play. Reuniting some of the key players from the excellent Anglo-Japanese crime series Giri/Haji– writer Joe Barton, director Julian Farino and Bafta-winning actor Will Sharpe – it’s lavish and lively. Brilliantly acted, too.

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