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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Aroesti

Horsegirl: Versions of Modern Performance review – an indie rock masterclass

Certain tracks possess the sense of inevitability of the best rock and pop  … Horsegirl.
Certain tracks possess the sense of inevitability of the best rock and pop … Horsegirl. Photograph: Cheryl Dunn
Horsegirl: Versions of Modern Performance album cover.
Horsegirl: Versions of Modern Performance album cover. Photograph: Publicity image

Horsegirl are three Chicago teens – Nora Cheng, Penelope Lowenstein and Gigi Reece – here to prove that being born in the 21st-century is no barrier to indulging in 80s and 90s indie nostalgia. On their debut album, the trio string together the best bits of shoegaze, C86, jangle, grunge and alt-rock into songs whose hyper-melodic sweetness is offset by what seems like the scientifically optimal amount of sour, grinding dissonance. Helmed by veteran producer John Agnello (who worked with some of the era’s original stars, including the Breeders and Dinosaur Jr), Versions of Modern Performance often feels like slipping into a warm bath: the familiarity is immensely comforting. Certain tracks, like opener Anti-glory, with its ghostly layering of hooks, possess the sense of inevitability common to the very best rock and pop: the more you listen, the more impossible it seems that this song did not already exist.

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