The giant wave’s foaming white summit spreads high over the heads of the helpless souls huddled in their long thin boats, crackling into what look like many sharp claws. It is a monster, hungry to swallow human flesh. But beyond it, over the wild water, soothing the terror of those in peril on the sea, is Mount Fuji – a solid cone of hope and solace. The mountain, not the wave, is the hero of this masterpiece, as it is the hero of all the prints in Dulwich Picture Gallery’s stunning exhibition – the first in Britain – of the complete Thirty-Six Views of Mount Fuji.
When you look closely here at three different, superb impressions of Katsushika Hokusai’s Under the Wave off Kanagawa – widely known today as the Great Wave – your mental picture of this icon is shattered by the violent onrush of water. In reproductions the wave just seems beautiful, an elegant curl of blue and white. But here, to paraphrase Tennyson, it is nature, blue in tooth and claw. The wretched people are the emotional heart of the picture, their imminent risk of drowning its whole point.
