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The Guardian - US
The Guardian - US
Entertainment
Lauren Mechling

Here Lies Love review – Imelda Marcos pop musical shines on Broadway

Arielle Jacobs and the cast of Here Lies Love
Arielle Jacobs and the cast of Here Lies Love. Photograph: Billy Bustamante, Matthew Murphy and Evan Zimmerman

Let’s get the shoes out of the way. Here Lies Love, David Byrne and Fatboy Slim’s pop musical about Imelda Marcos, does not dwell on the kleptocrat’s notorious shoe collection.

The show’s take-it-or-leave-it attitude toward Marco’s shoe fetish extends to the audience, many of them Filipino-Americans whose families fled the country under Ferdinand Marcos’s despotic regime. At a recent preview, the ground was thick with Hokas and On Clouds, Air Maxes and Reeboks. It wasn’t just a communal repudiation of what, by now, has become a cliched symbol of the former first lady’s boundless greed. The production is a roof-raising musical presented as interactive disco and the audience was all too ready to dance off against a modern-day Marie Antoinette.

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