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Charlie Griffiths

"He was simply one of the greatest players to ever pick up the instrument": Try these guitar chords that Prince used to elevate his classic songs

US singer Prince performs on October 11, 2009 at the Grand Palais in Paris. Prince has decided to give two extra concerts at the Grand Palais titled "All Day/All Night" after he discovered the exhibition hall during Karl Lagerfeld's Chanel fashion show.

Prolific songwriter, visionary and a gifted musician on numerous instruments, but it was with electric guitar that Prince used tp soar as high as his vocal register. He was simply one of the greatest players to ever pick up the instrument, bringing a producer and songwriter's ear to his parts and sounds that will continue to resonate through the ages. He was also quite a chordsman. 

Here are just four examples of Prince's use of voicings to enhance much-loved songs from his catalogue. Including one of the most iconic opening guitar chords of all time… 

E9

(Image credit: Future)

There are many ways of playing an E9, but this particular voicing is instantly recognisable as the opening chord from Kiss. The intervallic structure from low to high is: b7, 9, 5 and the root note is on the highest string. Mute the 5th and 6th string with your thumb over the top of the neck, so you can strum the chord without the open strings ringing out.


F7sus4

(Image credit: Future)

This funky F chord features in 1999 and is a variation on the regular F7, root 5th string shape. Use your 1st finger to barre across the 8th fret and your 4th finger to barre across strings 1 and 2. Keep your thumb in the middle of the back of the neck to keep your wrist and hand relaxed with this stretch.


Bbadd9

(Image credit: Future)

This lush, chord kicks off Purple Rain and is an inversion of a Bb add9, with the major 3rd of the chord in the bass, then the root, 9 and 5th on the highest 3 strings; all creating an iconic sound which instantly evokes Prince’s most loved anthem.


A7#9

(Image credit: Future)

The 7#9 chord is a staple of funk music and although this chord is more commonly played at the 12th fret root, in the ‘Hendrix’ shape, the Sexy MF guitar part occasionally hits a 5th interval on top, which is achieved up at the 17th fret, making for a cool and useful variation on the sound.

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