
Joshua De La Victoria isn’t like most other prog guitarists. His feet may be planted on the borderline where math rock meets fusion’s colorgasm spectrum, but it’s his classic rock upbringing – via his parents’ love for Tom Petty and Bon Jovi – that shaped his tastes.
“Tonally, I love the classic rock stuff,” De La Victoria says. “Especially edge-of-breakup tones like a Vox AC30 kind of thing, or any kind of Friedmann amp that isn’t super metal.”