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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Cooke

Hags by Victoria Smith review – welcome to the age of rage

The Glenn Close character in Fatal Attraction is ‘a perfect metaphor for the feeling of having been screwed and then ghosted by life itself’
The Glenn Close character in Fatal Attraction is ‘a perfect metaphor for the feeling of having been screwed and then ghosted by life itself’. Photograph: Everett Collection/Rex Features

When I went to university in 1988, feminism was wildly unfashionable; if students of both sexes happily queued around the block to hear Germaine Greer lecture on Aphra Behn, it was considered deeply uncool to own a copy of The Second Sex, let alone to go on about Andrea Dworkin or the Sun’s page three. I guess we thought – even those of us who did call ourselves feminists – that progress was inexorable, an optimism that strikes me as blackly comic now. Sometimes, as I sit at my desk in front of a machine that can, with a single click, provide access to every possible kind of sexual image, no matter how graphic, I suddenly see myself at 19, marching angrily into WH Smith to remove its porn mags (we used to dump them on the pavement outside). Such sweet innocence! How badly I miss it.

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