Despite directing a phenomenally successful franchise starter (Pirates of the Caribbean), two of its sequels (Dead Man’s Chest and At World’s End), a smash-hit horror remake (The Ring), an Oscar-winning animation (Rango), and films starring Brad Pitt and Julia Roberts (The Mexican) and Nicolas Cage and Michael Caine (The Weather Man), Gore Verbinski never quite broke through as a name the average cinemagoer would instantly recognise. There are some through-lines in his work – a dark sense of humour, an ease with pushing megastars past their limits – but he was mostly there in service of something or someone else, whether it be IP or an A-lister.
After both consumed him in 2013’s loathed flop The Lone Ranger, Verbinski went away and returned three years later with an extravagant “one for me”, the ambitious throwback horror A Cure for Wellness. I ultimately admired what he was trying to do (a gothic, exquisitely crafted original chiller with a real budget) more than what he actually achieved, and with another box-office disappointment under his belt, he disappeared again. A longer wait of almost a decade followed, and now he’s back with an even bigger swing, the sci-fi comedy adventure Good Luck, Have Fun, Don’t Die.
