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The Guardian - UK
The Guardian - UK
Entertainment
Sanjoy Roy

Goner review – horror show with shades of Squid Game and Blair Witch

Cliffhanger moments … Marikiscrycrycry in Goner.
Cliffhanger moments … Marikiscrycrycry in Goner. Photograph: Tristram Kenton/the Guardian

Established in 2014, the Yard theatre’s Now festival is a fringe showcase of new and experimental performance, this year opening with a new work from Marikiscrycrycry (the artist moniker of Malik Nashad Sharpe). Goner is a solo show that keeps reminding us – sometimes subtly, sometimes blatantly – that Sharpe is in fact never alone: there’s always us, the audience, looking and waiting and wanting.

Throughout the long opening section, Sharpe faces determinedly away from us, presenting a bare back, pink-orange chap trousers highlighting dancehall hips, an embroidered plait reaching from neck to knees so that it dangles between their pulsating buttocks like a macramé tail. The scene is as highly sexualised as it is de-eroticised: no sense of pleasure or person, just the moves, just the parts.

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