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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Giorgia Meloni’s face on a church mural is offensive – but not for the reason the Vatican thinks

No angel … the fresco resembling  Giorgia Meloni at the  San Lorenzo in Lucina Basilica in Rome.
No angel … detail from the fresco resembling Giorgia Meloni at the San Lorenzo in Lucina Basilica in Rome. Photograph: Anadolu/Getty Images

It must be the ugliest wall painting in Rome - and that’s even without the bizarre portrait of Giorgia Meloni as an angel. Artist Bruno Valentinetti painted his tribute to Umberto II, the last king of Italy, earlier this century in a side chapel of the ancient church of San Lorenzo in Lucina in its historic heart, the Centro Storico. It’s the kind of unsightly accretion you try to ignore when enjoying the city’s artistic glories which include, in this particular church, a staggering, stormy vision of the Crucifixion by the 17th-century painter Guido Reni, his most unforgettable masterpiece.

Valentinetti’s mural, by contrast, is a glib, tacky, photorealist effort that didn’t even last two decades before water damage demanded restoration. Valentinetti, now 83, carried out the repairs himself and had the genius idea of giving an angel the face –highly recognisable because obviously based on photos of her – of Italy’s populist prime minister. What was he thinking? Is he in love? Or was this an insidious piece of propaganda?

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