Painting, photography and digital reproduction unite in Gerhard Richter’s new sculpture on the plinth at Serpentine South.
The striped Strip-Tower nods to the German artist’s 2010 Strip Paintings, which themselves looked back to Abstract Painting 724-4, a painting created in 1990 that was then photographed. The resulting images were manipulated digitally on a software programme, before being divided into strips, which were stretched and laminated onto aluminium, and covered with Perspex.
