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The Guardian - UK
The Guardian - UK
Entertainment
Huw Baines

Geese review – all hail the new saviours of rock’n’roll

Cameron Winter of Geese performs with microphone and raised hand.
From bruised baritone to fire and brimstone … Cameron Winter of Geese at the Prospect Building in Bristol. Photograph: Lewis Evans

‘The last time we played here, we played on a boat,” Cameron Winter murmurs in a rare moment of between-song chat. There are also quite a few boats bobbing around in the Geese singer’s lyrics, seemingly symbolising both freedom and confinement, but right now he is being perfectly literal. The vessel in question was Thekla, a cargo ship turned venue moored in Bristol harbour that is roughly an eighth of the size of the room that greets the Brooklyn indie-rock band tonight.

Geese’s rise since that 2023 show has been precipitous. Thanks to the acclaim that met their fourth LP, Getting Killed, last autumn, less than a year after Winter’s solo bow Heavy Metal earned similar plaudits, theirs is now the name on the lips of anyone left with a desire to anoint new saviours of rock’n’roll. Spend 90 minutes watching them perform, though, and you too may come around to that way of thinking.

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