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Rowland Bagnall

Gavin Turk subverts still-life painting and says: ‘We are what we throw away’

Gavin Turk’s still-life painting of groceries by Gavin Turk, from the London exhibition 'The Conspiracy of Blindness' .

In his new series of paintings, British artist Gavin Turk presents arrangements of domestic and commercial packaging. Displayed against monochrome backgrounds, flattening the depth of field, the objects jostle for space and attention, the bright oranges, blues and highlighter-yellows of manufactured plastic countering the muted earth- and stone-tones of cardboard, jars, and eggboxes. 

While these paintings affirm the artist’s enduring interest in consumer waste – the subject of his famous Bag (2000), a bronze sculpture resembling a black bin liner, bulging with rubbish, as well as recent watercolours of single-use plastic bottles – ‘The Conspiracy of Blindness’ also engages with the work of Italian artist Giorgio Morandi, best known for his own paintings of sleekly formed domestic objects. (‘My art is always other people's art,’ Turk told us in a 2023 interview, of his approach of referencing other artists in his work.)

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