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The Guardian - UK
The Guardian - UK
Lifestyle
Olivia McEwan

Game of stones: how paintings of marble reveal a world of magical medieval mysticism

Zanobi Strozzi’s The Annunciation, c 1440.
A wildly abstract marble floor … Zanobi Strozzi’s The Annunciation, c 1440. Photograph: Heritage Image Partnership Ltd/Alamy

When we think of marble, we think of it as a desirable commodity: of luxurious interior decoration, from deluxe kitchens to the most corporate of foyers – and of a roaring global market. Yet in the centuries prior to the enlightenment brought about by science and the birth of geology, marble captured the popular imagination as a mysterious, living structure with spiritual properties.

It is a way of thinking that’s alien from today’s knowledge, informed by the comfortable conclusions of empirical science: we know marble is a metamorphic rock created millions of years ago under extreme pressure and heat, deep below the Earth’s crust. In his new book, Divine Presence, creative director, author and one-time Wolfgang Tillmans muse Karl Kolbitz invites us to consider a pre-science mentality, when civilisations believed in the reality of miracles, dragons, astrology and the governance of an unknown but omnipresent divinity as a means of making sense of the world.

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