When Taylor Swift released Reputation in 2017, she self-published an accompanying magazine while avoiding interviews. “When this album comes out, gossip blogs will scour the lyrics for the men they can attribute to each song, as if the inspiration for music is as simple and basic as a paternity test,” she wrote in an essay. The sentiment oozed with contempt for playing dot-to-dot with her lyrics – even though, from her debut album to Reputation’s predecessor 1989, Swift left clues in her liner notes that clearly indicated whom certain songs were about.
Seven years on, and Swift’s new album, The Tortured Poets Department, couldn’t be more transparent about its subjects – typewriters and tattoos lighting a path to the 1975’s Matty Healy, whom she had a fling with last spring; Hampstead Heath and “longsuffering propriety” referring to actor Joe Alwyn, who she dated for six years.
