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AVNetwork
AVNetwork
Technology
AVNetwork Staff

From 'Oppenheimer' to 'Napoleon,' JVC Video Monitors Power Post-Production

An engineer from Vortechs hails JVC monitors in post production. .

Vortechs provides the latest in equipment, streamlined workflow consultations, and personalized support, among other things, to clients throughout the Hollywood region and beyond. To support its high-profile projects—which ranger from Always Sunny in Philadelphia to A Man Called Otto—Vortechs relies on broadcast monitors from JVC Professional Video, which can be found in nearly every one of the company’s editing bays. This includes the brand’s current DT-N24F ProHD Broadcast Studio LCD Monitor, along with its legacy DT-V24G1Z Verité Series Studio Monitor. Vortechs also often deploys the brand’s DLA-RS4500K Projector in screening rooms for VFX-heavy projects.

The company manages close to 100 suites between Silverlake and Santa Monica, California, with support for productions in New York and London. Vortechs has taken part in various notable projects, providing on-location, hands-on support during filming. This includes Chris Nolan’s Oppenheimer shot in New Mexico, the film adaptation of Wicked in London and the forthcoming Gladiator II production in Malta and Morocco. Among the other recent projects are TV series like HBO’s Righteous Gemstones, Apple+’s Physical and Amazon Prime’s Peripheral. Vortechs has also worked on various films, such as My Spy 2, Strays, Champions, Amsterdam, and Napoleon.

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