Punk, intellectual, feminist, theorist, brave as hell, vulnerable, funny, Valie Export was a hero to many women. Since the 1960s, she was driven by a fierce conviction that art and media would play an essential role in women’s liberation: that women must picture their own reality in the name of social progress. In Women’s Art: A Manifesto (1972), she wrote that women must “use art as a means of expression, so as to influence the consciousness of all of us”. What she demanded was revolution.
I keep returning to her work. Can’t stay away. I have written about her in relation to violence in women’s art. Her work was heavy with explicit threat and pain, and she made evident the violence of forcing women’s bodies to inhabit structures that were not designed for them. For the 1973 performance Hyperbuliashe crept naked through a corridor of electrified wires, exposing herself voluntarily to shocks.
