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The Guardian - UK
The Guardian - UK
Entertainment
Mark Fisher

From chatbot apocalypse to a bespoke romance about the family cat: Edinburgh gets creative with AI

Elisabeth Gunawan in Stampin' in the Graveyard.
A world of computer errors and digital indifference … Elisabeth Gunawan in Stampin' in the Graveyard at Summerhall, Edinburgh. Photograph: Murdo MacLeod/The Guardian

Every new technology unsettles us because it confuses our boundaries. The radio announcer who appears in our living room; the movie star we see on a screen; the relative’s voice we hear on a phone: they all mix up our sense of the real and the imagined.

So it is with artificial intelligence. A poem generated instantly by ChatGPT feels as magical to us – and as magically wrong – as the first printed books must have done to an illiterate population, unschooled in mystical Latin. How to account for something that communicates like a human being, yet is not physically present?

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