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The Conversation
The Conversation
Kath Kenny, Sessional academic, Department of Media, Communications, Creative Arts, Language, and Literature, Macquarie University

Friday essay: 'with men I feel like a very sharp, glittering blade' – when 5 liberated women spoke the truth

Helen Garner on stage in Betty Can Jump at The Pram Factory in 1972. Photo courtesy of the Betty Can Jump collective

There’s a climactic scene in Helen Garner’s third and latest diary where she describes tipping a box of her then husband’s cigars into a pot of soup, picking up a pair of scissors, slashing a straw hat that belongs to his lover and stuffing the pieces in his “ugly black suede shoes.” In her husband’s study she finds his latest manuscript:

I wrench the cap off his Mont Blanc fountain pen and stab the proof copy with the nib, gripping the pen in my fist like a dagger. I stab and stab, I press and screw and grind.

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