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The Conversation
Benedict Carpenter van Barthold, Lecturer, School of Art & Design, Nottingham Trent University

Frida Kahlo’s record-breaking painting El Sueño positions death as a roommate

Frida Kahlo’s 1940 self-portrait, El Sueño (La Cama), or The Dream (The Bed), has sold for US$54.7 million (£41.4m) at Sotheby’s New York. It is now the most expensive Latin American artwork in history, and has set the auction record for a female artist.

Kahlo’s canvas was the standout lot in a collection titled Surrealist Treasures. The painting appears to be a quintessential surrealist nightmare: a skeleton stalking a sleeping woman. But there is more to Kahlo’s work than the surrealist label might imply.

The painting (which is 74x98 cm) shows a four-poster bed floating in a cloudy sky. The perspective is disquieting. The bed tilts away from the viewer, as though seen from below. The upper part of the painting, where the skeleton lies, is light and airy. Its elbow almost touches the upper edge of the canvas, suggesting the structure is floating upward. The bottom tier, occupied by Kahlo, appears heavier. The cloudy backdrop is more threatening and the palette is earthier.

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