Simon Rattle sure loves a challenge. This all-Schumann evening featured three “problem” works: the overture to a failed opera, a violin concerto deemed sufficiently disappointing that the composer’s executors ordered it locked away for a century, and a symphony written in the depths of depression. What’s more, he was conducting the Freiburg Baroque Orchestra in an acoustic hardly conducive to the soft-grained tones of period ensembles. In the event, we needn’t have worried, but you have to admire his pluck.
The overture to Genoveva got off to a moody start. Rattle and the Freiburgers drew the listener in by tapping into the musical storytelling – the quartet of horns was especially striking – rather than relying on sheer volume. Closer to Mendelssohn than Wagner, it must have felt old hat in 1848, but here came up bristling with romance and chivalry.
