Hollywood worships the music biopic. Whether they're made for Oscar glory (“Ray”), financial profits (“Elvis”), or both (“Walk the Line”), biopics will continue to be greenlit as long as the music industry keeps producing stars.
This fall, Jeremy Allen White trades in his knives for a guitar to play “The Boss” in “Springsteen: Deliver Me from Nowhere.” It focuses on the recording of 1982’s “Nebraska,” Springsteen’s haunting album that many consider his masterpiece. Instead of focusing on Springsteen’s rise with “Born to Run” or his superstardom in “Born in the U.S.A.,” “Deliver Me from Nowhere” elects to explore a darker, more personal time in the singer’s life.
