‘Black music is forward and upward in movement, you know? Never forward or upward,” pianist Sullivan Fortner declares. “It’s a tornado that’s always getting bigger and moving faster,” he adds, whizzing his fingers around with delight.
On a video call between sets at Rotterdam’s North Sea jazz festival, the 39-year-old speaks like he plays, with quirkiness, subtlety and mischief. A three-time Grammy winner – including for 2025’s Southern Nights – Fortner also recently received the Larry J Bell award, a prize of $300,000 (£225,000) given every four years to a standout jazz pianist, which gave him the confidence to present an all-encompassing version of himself on Leave That in There, his sixth album. “I’ve tried the self-editing way,” he says of previous albums involving multiple takes and endless post-production tinkering. “For this record, I took an edible and I just said, screw it.”
