In 1992, Sinéad O’Connor destroyed a photo of Pope John Paul II on U.S. national television. The pushback was swift, turning the late Irish singer-songwriter’s protest of sex abuse in the Catholic Church into a career-altering flashpoint.
More than 30 years later, her “Saturday Night Live” performance and its stark collision of popular culture and religious statement is remembered by some as an offensive act of desecration. But for others — including survivors of clergy sex abuse — O’Connor’s protest was prophetic, forecasting the global denomination's public reckoning that was, at that point, yet to come.
