Contemporary Beirut is not usually a fairytale setting, but director Wissam Charaf has created something of a modern fable in his latest film "Dirty, Difficult, Dangerous". He tells us about the Syrian refugee and Ethiopian domestic worker at the centre of his romance, and why re-writing their dehumanising experiences was a priority in his film.
Next, film critic Emma Jones tells us about the lengthy and existential high jinks of Ari Aster's "Beau is Afraid".
