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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Faith review – intense performances power startling and unsettling tale of mysterious suitor

James McAvoy and Erin Doherty in Faith, walking and smiling together on a foggy day
Alpha-grade casting … James McAvoy and Erin Doherty in Faith. Photograph: Toronto film festival

Erin Doherty and James McAvoy both bring their A-game in this startling, involving movie from British writer-director Paul Andrew Williams, whose productivity and creativity continue to be an industry tonic. It’s an eerie mystery drama that Doherty and McAvoy perform with ferocious commitment. There’s something of Atom Egoyan or even M Night Shyamalan here … and I even found myself wondering if Williams intended us to think of Shakespeare’s Hamlet and Laertes’ lines about his father, Polonius: “… to his good friends thus wide I’ll ope my arms / And like the kind life-rend’ring pelican, / Repast them with my blood.”

We are in a downbeat British town, perhaps somewhere in the London estuary, a place to which a candy factory provides employment. Gina (played by Doherty) is a smart, capable single mum to 9-year-old Jamie (Smylie Bradwell); she works on the production line in cap and hairnet like all the others: much liked by everyone there. She is not fussed by the absence of Jamie’s dad and is perfectly content with hanging out with her friends and her sister (Liv Hill).

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