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The Guardian - AU
The Guardian - AU
Entertainment
Tansy Gardam

Everything Game of Thrones did, HBO series Rome did better – including not fumbling the finale

Haydn Gwynne James Purefoy and Polly Walker in HBO’s Rome
‘Rome’s final victory, 20 years later, is that it is still completely rewatchable’ … Haydn Gwynne, James Purefoy and Polly Walker in HBO’s Rome. Photograph: Album/Alamy

A sprawling cast of richly flawed heroes. Epic stakes. Elaborate sets. A family man hero whose definition of good is skewed by the cruel world he lives in. Animated opening titles with a catchy theme song. Blood, guts, sex and a bit of incest: everything Game of Thrones did, Rome did better.

Rome was one of the most expensive TV shows ever made when it launched in 2005; its two-season run was shot on a massive, immersive outdoor recreation of the ancient city in Italy’s Cinecittà studios, and spared no expense on costumes, props or fake blood. When it came out half a decade later, Game of Thrones would follow in Rome’s footsteps with its puzzle wheel of plotting across factions and alliances, shocking betrayals and Shakespearean dialogue punctuated with c-bombs.

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