Cinema is built on dreamers. The people willing to put it all on the line for a bold life, one where success, spectacle and legacy matter more than existing quietly - and boringly - in the margins.
As aspiring drummer Andrew says in Whiplash: “I'd rather die drunk, broke at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remembered who I was.”
