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The Guardian - UK
The Guardian - UK
Entertainment
Clive Paget

Ensemble Intercontemporain/ Bleuse review – from a clown to a clarinet and Cathy Berberian

Trombonist Lucas Ounissi, in lime green wig, puts his instrument though its paces at the Royal Albert Hall.
Trombonist Lucas Ounissi, in lime green wig, puts his instrument though its paces at the Royal Albert Hall. Photograph: Chris Christodoulou/BBC

Twin titans of the 20th-century avant garde, Luciano Berio and Pierre Boulez were born seven months apart in 1925. This well-crafted concert by Ensemble Intercontemporain, the orchestra Boulez founded in 1976, avoided the obvious hits while demonstrating just how different their music could be.

Berio’s Sequenza V for solo trombone is one of 14 pieces he wrote to test the boundaries of particular instruments or vocal types. It was inspired by Grock, a Swiss-born clown and one-time neighbour of the composer, whose personality had fascinated him as a boy. Lucas Ounissi, ambling on in full circus slap and a lime-green wig, put his instrument through its paces. Juggling a handheld plunger mute, he rasped and farted away, frequently singing and playing at the same time. A virtuoso performance showed off the breadth of the composer’s imagination as well as his singular sense of humour.

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