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The Guardian - US
The Guardian - US
Entertainment
Zach Vasquez

‘Endlessly rewatchable’: why Diggstown AKA Midnight Sting is my feelgood movie

man wearing white jacket looks intensely as man in front of him looks to the side
James Woods & Louis Gossett Jr in Diggstown. Photograph: UIP/Allstar

To quote the late, great Leonard Cohen: everybody knows the dice are loaded, everybody knows the fight is fixed. That’s a cynical outlook, but one to which I fully adhere. Which perhaps explains why so many of my go-to comfort movies are about con artists.

Granted, not every classic con movie makes for a breezy watch – no one throws on The Grifters when they need a pick-me-up – but many do. The Lady Eve, Paper Moon, The Sting, Dirty Rotten Scoundrels, Ocean’s 11 – with their myriad twists and turns, hip earworm dialog, and stacked casts playing lovable rogues sticking it to the man, they prove endlessly rewatchable.

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