Let’s face it, hanging around to watch post- or mid-credits sequences is a pretty weird thing. The movie is over, we’ve all had our fill – of CGI skybeams, multiversal migraines and superheroes punching each other in the feelings – and it’s time to head out into the night to debate whether the film was brilliant, baffling or just a $250m trailer for the next one. But leave we cannot, because something monumental might just happen after the credits roll. Or during them. Or, increasingly, not at all. Still we stay, we hope, we watch.
Remember the end of 2012’s The Avengers when Thanos turned and smirked, sparking a good six years of movies in which the Mad Titan was definitely going to do something totally crazy very soon – and then, to everyone’s surprise, actually did? Or that glorious moment after Spider-Man: Homecoming (2017) when Marisa Tomei’s aunt May walked in on Peter Parker mid suit change? Back then, Marvel credit scenes usually felt earned, and vital. They were windows into the future of the saga, at a time when Kevin Feige and his team seemed to be able to do no wrong. What made those early years so intoxicating was the sheer audacity of it all. Marvel wasn’t just making superhero movies. They were building a connected universe on screen, one meticulously cross-pollinated character cameo at a time, like a giant, exploding beehive of superhero synergy.
