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The Guardian - UK
The Guardian - UK
Entertainment
Joel Golby

Emily in Paris: this whirlwind of nonsense is basically a story told with dolls by a child

Lily Collins in Emily In Paris.
Lily Collins in Emily in Paris. Photograph: Stephanie Branchu/Netflix

Some personal news: I have decided to drop my beef with Emily in Paris (Netflix, from 15 August) which I had always assumed was originally made as soft-edged recuperative videos to help brain injury survivors relearn how to watch TV again, but is actually one of the most anticipated cultural forces on the planet.

The pitch of the show, in case you misread the title, is an American girl called Emily (the titular “Emily”) who goes to live “in Paris” (a city in France – which is in Europe), and there she refuses to ever learn French. She does, however, gasp a lot, and wear extravagantly fashionable outfits, and enter into an extraordinarily unlikely love triangle with a good-looking French man who can’t act and a good-looking Englishman who can’t act. Her friend, a good-looking American who can’t act, is always singing, for some reason. Her boss is mean :-(

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