There are some sweet retro-Spielbergian thrills in Pixar’s amiable new family animation, whose release was delayed a year due to the strikes; it also has some touches of Douglas Adams as well as John Lasseter’s Toy Stories. There are co-director credits for Pixar stalwarts Adrian Molina (who was the co-director and co-screenwriter of Coco) and feature first-timer Madeline Sharafian, and Pixar will be hoping for a handsome return here to match the success of its recent box office champ Inside Out 2.
Elio may well indeed do the business. It has charm, likability and that potent ingredient: childhood loneliness and vulnerability. Its opening act is set aboard a military base where an ambitious young officer has postponed or even abandoned her dream of being astronaut to look after her orphaned nephew. But once the film leaves planet Earth and its recognisably real, lump-in-the-throat emotional world and inhabits the goofy multi-voiced arena of space aliens, it loses, for me, a little (though not all) of its charge. There is occasionally something a little formulaic, a bit programmatic and … well … which two letters of the alphabet sum it up?
