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The Guardian - UK
The Guardian - UK
Entertainment
Clare Brennan

DruidO’Casey review – Seán O’Casey’s Dublin trilogy in a day is a revelation

Sophie Lenglinger as Nora, in a yellow dress, with Liam Heslin as Jack, in shirt sleeves and waistcoat, their arms round each other, in The Plough and the Stars.
‘Ophelia-like’ Sophie Lenglinger as Nora, with Liam Heslin as Jack, in The Plough and the Stars. Photograph: Ros Kavanagh

A highlight of this year’s Galway international arts festival (GIAF), DruidO’Casey is a new play cycle by Druid theatre company of the “Dublin trilogy” by one of Ireland’s greatest playwrights, Seán O’Casey (1880-1964). The three plays are presented back to back, in chronological sequence, over one day. The experience is revelatory. O’Casey grew up in working-class Dublin, and his portrayal, here, of life in the city’s tenements during the years of conflict between 1915 and 1922 becomes an expression of the wider world, its yesterdays, todays and tomorrows.

This fine production by Druid’s co-founder and longstanding artistic director, Garry Hynes, probes the ambiguities and indeterminacies of O’Casey’s texts, ultimately requiring us to take seriously a laughter-raising line: “There’s no such thing as an Irishman, an Englishman, or a German or a Turk; we’re all only human bein’s.”

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