
The recording of the Rolling Stones’ Exile On Main Street was a seedy affair. Laid down in the basement of Stones guitarist Keith Richards’ Nellcôte mansion on the Côte d’Azur in France, as vast quantities of heroin and a succession of opiated hangers-on blew through the premises, the classic 1972 album caught the Stones at their hedonist best.
It’s fitting then, that the album’s sleeve explored similar themes of self-abuse and chaos. “The general tone of the time was one of anarchy,” designer John Van Hamersveld explained. “Drug dealers and freaks and crazy people left over from the 60s – all defiant and distorted.”